Etree - OldNeumanntapr - 84 shows
Last Update: Tuesday May 26, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (24) | EMAIL ]


DISCLAIMER:


NONE OF MY SHOWS IN THIS LIST WILL MATCH MD5 / SHINID FILES POSTED AT ETREE!


I tag all my files and often times change file names to reflect etree standards. When tags are added, altered, MD5 files will error. Consequently I Delete ALL MD5 files from traded FLAC.


IF HAVING NUMBERS MATCH IS MORE IMPORTANT THAN MUSIC FOR YOU, PLEASE DO NOT CONTACT ME FOR TRADES. Thank you.


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Nothing on this list is for sale!!!! These shows are available for trade ONLY!


                                                             


                                                                                                


I have Almost THREE Terabytes of FLAC that I've received through electronic trades / Hardrive swaps, that have not as of yet been added to the list!


 


Some shows I have on BOTH FLAC and CD. The # of FLAC listed equals the # of CDs. If a 0 is listed, then I ONLY have the FLAC copy. If WAV is listed, it was sent to me as a WAV file and has not yet been converted to FLAC.


I've been a live-Music taper since 1986, and currently use Neumann KM-140 microphones.      


After taping with DAT since 1994, I switched to a Tascam DR-100mkII flash recorder in mid 2013.


I am in the process of converting all my DATs and CDs to FLAC. All the DATs have been transferred but will not be updated on the list until I am ready to convert them to FLAC. Some still need to be split into tracks with Audacity.


(My masters are listed in the notes column on the far right side.)


If You Are Not Interested In Keeping Track Of Audience Recording Details Please Do Not Bother Contacting Me.


My interests are rather varied, as you will see.


 


CDRs from my DATs have been burned with an HHB CDR 800 pro standalone recorder, from 1998 to 2013.


I am no longer able to transfer DAT recordings, as all of my machines have problems, but all my DATs have been transferred. There are a lot that need to be tracked and FLAC'd.


 


Soundboard and Audience recordings are graded on different criteria.  


An A+ Audience Will Not Ever Match An A+ Soundboard; A Listing Of An A+ Rating Is Simply The Highest Grade In Its Respective Class.


Sound quality grading is subjective, (especially for older shows. For example, a recording from the 1970s will never match the sound quality possible with today's digital recording technology, and should be judged in accordance to the sound recording technology of the time.)


Sound Quality Ratings:


A+ Exceptional; usually reserved strictly for soundboards but I have also given this grade to some of my best FOB Digital Audience Masters, as well as other exceptional Front Of Board Audience recordings. A  Very Good. No flaws. (I don't consider minor polite applause Between songs on an audience recording to be a flaw.) A- Pretty good, but might have a few minor flaws; ie: less than ideal mic placement, some crowd noise on audience recordings, or other misc flaws, ie; slight hiss on soundboard recordings, or very slight distortion. B+ Good but not quite up to an A or A- rating. B More crowd noise, more distortion, or multi generation copies, etc. 


Not Currently Trading With Anyone Out Of My Circle. But, if you're looking for something specific, hit me up and I can send via Wetransfer.com


 

View List:
Jump To Artist:

Ian Anderson  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/09/95 State Theater - Minneapolis, MN A- Front Row Center: MarcSound Omnis >Sony TCD-D7 Trade DAT (Clone I) Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.28 1 FLAC  
2. 10/18/09 Chevrolet Theatre - Wallingford, CT A- Unknown Digital Audience >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
3. 05/23/12 Alfred Fischer Halle - Hamm, Germany A SP-CMC-25 with SP-EMC-1 Croakie Mount Option > SP-PREAMP - Sound Professionals - Low Noise Gain-Selectable Portable Stereo Preamp (0db gain) > Edirol R-09HR (16 bit, 44.1 kHz) WAV to FLAC conversion with Traders Little Helper - ffp with Traders Little Helper-Torrent file with Maketorrent; equalized with Har-Bal; tweaked with Magix Audio Cleaning Lab 17 0 FLAC  
4. 04/28/14 The Dome - Brighton, UK A Row B Of Circle, Dead Center; Zoom H2 w/Internal Microphones Recorded By Paul Green 0 FLAC  
5. 10/25/16 Wells Fargo Center For The Arts - Santa Rosa, CA A+ FOB: Schoeps MK4s >NBox >Tascam DR 2D (24bit/48kHz) (Recorded By DaspyKnows WAV >Audacity (Removal & Repair Of Numerous Close-To Microphone Hand Claps, Selective De-Amplification Of Crowd Noise, Re-Track Combining Segue Bits Of Music With Main Tracks. Fix SBEs) >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr (WAV Files Sent Privately By Daspy) ***************************************************************************** OldNeumanntapr Notes: I got this recording as WAV files direct from Daspy. It had no text file and no set list, only a date and the MK4 notation. I was able to find the venue by searching Setlists.fm but there was no set list just a date and location. Now I at least knew the venue! There were some really loud hand claps close to the microphones that I removed and repaired in Audacity. It was a very minor process, as I am no where near in the same class for post production as Flying M in Los Angeles. This recording also had some indexes that were in the wrong locations. Plus, this was 'Jethro Tull, The Rock Opera' so there were many small segue-type bits of music, with vocals, that linked songs together. It was like one whole contiguous story told via Tull songs. I debated a lot about how to index this show. These bits have no official names, according to the Jethro Tull website, which I used to look up the lyrics. Some of these segue bits I indexed at the end of songs and other times on the front end. Some songs it just felt right to start from their beginnings, It works for me. The tagging would have been nearly impossible without complete titles, plus it's a pain in the ass to tag individual song titles especially if there are twice as many as necessary. The sound quality is unreal on this, and though I asked him about it, he had no memory of where he was in the hall. I think I was able to take out a lot of the really loud hand claps but it takes forever to do this and I didn't really even do it as completely as I could have. I want to go out of my way to tread lightly on his shows because he is nice enough to send stuff to me, as I am unable to download torrents, and I don't want to upset him with a 'remaster'. I have received permission to share this on a limited basis but PLEASE to torrents or wide-spread shares. DO NOT post the link!!! Daspy does not want multiple versions of this to circulate, though I am unsure if he ever torrented his version. Do NOT Convert To MP3. Enjoy! Share freely, DON'T TORENT, don’t sell, play nice, don’t run with scissors, etc. ;) 0 FLAC  

Jethro Tull http://www.j-tull.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 01/09/69 Konserthaus - Stockholm, Sweden A Soundboard [Early Show] Trade CD >FLAC (Level 8) Via xACT 2.44 1 FLAC  
2. 01/09/69 Konserthaus - Stockholm, Sweden A Soundboard Reel Lineage: MQ-021/022 Boot 2CD-R > WAV > FLAC 11 Tracks. Only One Disc Worth Of FLAC 0 FLAC  
3. 01/09/69 Konserthaus - Stockholm, Sweden A Soundboard 'Flute Cake' bootleg   0 FLAC  
4. 04/19/70 Long Beach Arena - Long Beach, CA B+ Sennheiser 805 Shotgun Mic >Uher 4000 1/2 track Reel Flying -M- Remaster total running time [83:22] Recorded from the Orchestra, Section A, Row 20, Seats # 6 & 7 - The ticket stubs were in the boxes Source: 1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" 3M Scotch tapes My Copy (1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Phase Linear 1000 (auto-correlator) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Otari DTR-8S > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Transfer notes: The master tapes had to be flipped every 22-23 minutes. Reduced bandwidth from DAT tape at Long Play speed (32 KHz sample rate has a max. freq. of 16 KHz). Many small dropouts and loud claps were meticulously repaired or removed with Audacity wave editor. I left the clapping in the final minutes of applause and the post show comments as it was on the tape. Now you can enjoy this cleaned up presentation of my first generation R2R copy of the masters. For historical reference only and not intended for resale or any commercial use. enjoy -M- (August 2013) FLYING M PRODUCTIONS 0 FLAC  
5. 05/03/70 Devonshire Downs,San Fernando Valley State College - Northridge, CA B+ Audience Master > Reel > Reel > M-Audio Transit >Cool Edit > CD Wave Editor > FLAC Lots Of Crowd Noise But Clear Sound 0 FLAC  
6. 08/16/70 Aragon Ballroom - Chicago, IL A- WXRT Re-Broadcast, August 1977, Reel   0 FLAC  
7. 08/30/70 Isle of Wight Festival, East Afton Farm - Isle of Wight, UK A Soundboard Reel   0 FLAC  
8. 11/04/70 Carnegie Hall - New York, NY A+ Soundboard Reel Trade CD >FLAC (Level 8) Via xACT 2.44 1 FLAC  
9. 11/05/70 Rhode Island Auditorium - Providence, RI A- Unknown Audience   0 FLAC  
10. 04/27/71 Capitol Theatre - Late Show - Port Chester, NY A- Sony Dynamic Microphones >Sony TC-124 w/Norelco Cassettes Recorded by Ken & Judy Lee. Microphones were set up in the balcony with a 10-20 foot spread. -Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance. -Cleanup performed by Peter G with Soundforge. 0 FLAC  
11. 06/19/71 Anaheim Convention Center - Anaheim, CA A- 1 Sennheiser 805 Shotgun Microphone >Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips On 5" Diameter 3M Scotch Tapes My Copy (early 1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Additional clean up and EQ (2016) iZotope RX4 advanced > Har-Bal 3.0 > CD Wav > TLH Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over). Spliced so that you may not even notice where. Reduced bandwidth from DAT tape at Long Play speed (32 KHz sample rate has a max. freq. of 16 KHz). This tape was very shrill and the original attempt to combat this was by pushing the 200-400Hz band up by an amazing 18dB. Helped to add something down there but it went from shrill to hollow sounding. This time Har-Bal was used to balance the frequency spectrum adding some warmth and reducing the brittleness in the high end. There was a problem in the recording equipment creating intermittent thumping sounds. Maybe a poor connection made these noises but they were in the low frequency band so the eqaulization made them louder. Hundreds of these noises were attenuated just during the Midnight Rambler Jam > Locomotive Breath transition. Additionally hundreds of small tape dropouts and loud claps were individually masqued using an assortment of iZotope tools. Quite often just copy and paste from the opposite channel for the dropouts (it is mono). Much better without those technical issues distracting from an inspired performance. Thanks go out to Dub and Ken for this nice recording. For historical reference only and not intended for resale or any commercial use. enjoy -M- (December 2012) (Rev A - updated info page and artwork: March 2013 - iZotope RX4A repairs and Har-Bal EQ: March 2016) FLYING M PRODUCTIONS Fan Recordings for Collectors Trade Freely But Please Do Not Sell 0 FLAC  
12. 06/20/71 Community Theater - Berkeley, CA A- Audience Cassette 01. Aqualung 7:45 02. Cross-Eyed Mary (w. drum solo) 8:50 03. Nothing Is Easy 8:45 04. Wind-Up 15:06 05. Locomotive Breath 1:53 (piano & guitar into only [42:19 TT] Trade CD >FLAC (Level 8) Via xACT 2.44 1 FLAC  
13. 01/27/72 Hannover Kuppelsaal - Hannover, Germany A- Soundboard* ('Blues For God' Bootleg CD.) Circulated As A Soundboard But Cound Be Excellent FOB Audience 0 FLAC  
14. 03/16/72 Victoria Hall - Stoke, England A- Unknown Audience; 'Name That Tune', 2007 TooleMan ReMaster FLAC >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) Plus Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
15. 06/04/72 Maple Leaf Gardens - Toronto, ON A Unknown Audience 2008 ToolMan ReMaster. 'Thick As A Brick' Through 'Aqualung' 0 FLAC  
16. 07/16/73 Tarrant County Convention Center - Fort Worth, TX B+ Sony ECM 19B Omnis >Realistic SCT-7 Stereo Cassette Recorder (Maxell UD C90s) Playback Deck: Tascam 130 > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > HHB CDR-800 Compact Disc Recorder > CDR > WAV >CD Wave Editor > SHN SHN >WAV >FLAC Via xACT 2.47 0 FLAC  
17. 08/30/73 Civic Centre - Providence, RI B+ Unknown 1st Gen Audience / Bootleg CD Silvers   0 FLAC  
18. 11/17/74 Rainbow Theatre - London, UK B+ Audience remaster notes: applied fadein to opening applause and fadeout to last track ending applause. increased pitch by 140 cents for all tracks balanced levels, (left side was too high, right too low.) removed short gaps (from the source recording) after cross eyed mary, before piano solo, after flute solo, before doggie in the window, before bungle in the jungle, before my god, after aqualung and after backdoor angels and a brief overlap before ian's intoduction of the string section reduced several loud claps between songs individually by about 3 db's in several tracks, especially after Aqualung retracked the beginning of cross eyed mary, end of thick as a brick, end of a passion play, end of skating away, and end of war child spliced in applause at end of sea lion monoized 1st 3:43 of back door angels due to very low/hissy left channel sound artwork is included from the original post and can be used here although this one has track 13 opening disc 2 (instead of track 14) because it is an introduction of players accompanying in the following track (a string quartet) this recording isn't completely seamless, but more so than it was before. according to the ministry of information website, this show was on Martin's birthday. 0 FLAC  
19. 02/09/75 The Forum - Inglewood, CA A- Shure Microphones >Sony TC-152SD (Recorded By Mike Millard, 3rd Row Center On The Floor) Final Concert Recording With The Sony 152 Before Purchace Of the Nakamichi 550 To Record Led Zeppelin The Following Month. 0 FLAC  
20. 03/08/75 Civic Center - Providence, RI A Sony ECM 99 Stereo Cardioid >Sony TC-152SD Recorded By Dan Lampinski, SEC 3, Row H, Seat #7 0 FLAC  
21. 04/??/75 Maison Rogue - Monte Carlo, Monte Carlo A BBC FM Broadcast 'Minstels In The Red House' bootleg   0 FLAC  
22. 07/25/75 Seattle Center Coliseum - Seattle, WA A Sony ECM-22P > Tandberg Model 11 Monaural Reel JEMS Master Recording 1 FLAC  
23. 07/21/76 Boston Garden - Boston, MA A Sony ECM 99 Stereo Cardioid >Sony TC-152SD Recorded By Dan Lampinski 0 FLAC  
24. 07/31/76 Tampa Stadium - Tampa, FL A Pro Shot Video; 3/4" Beta U-Matic Video Tape / Soundboard Audio 'Tullavision' 1 DVD  
25. 08/15/76 L.A. Coliseum - Los Angeles, CA A- Soundboard Minor Hiss 0 FLAC  
26. 08/21/76 Seattle Center Coliseum - Seattle, WA B+ Sony ECM-22P >Sony TC-55 JEMS Transfer: master cassettes > Nakamichi 670 azimuth-adjusted playback > Wavelab 96/24 .wav > iZotope RX mastering > iZotope MBIT+ convert to 16/44.1 > Soundforge (wav, tracking and splicing) > FLAC (sb's aligned) 0 FLAC  
27. 01/14/77 Pasadena Civic Auditorium - Pasadena, CA A FOB Audience Possibly Recorded By Mike Millard (AKG Microphones >Nakamichi 550) 0 FLAC  
28. 01/16/77 Dorothy Chandler Pavilion - Los Angeles, CA A FOB Audience Possibly Recorded By Mike Millard (AKG Microphones >Nakamichi 550) 0 FLAC  
29. 01/19/77 Masonic Auditorium - Detroit, MI A TEAC M100 Microphone >Sony TC-153SD (Mono. Dolby B Engaged) Recorded By JEMS, Transferred By Mike Ziegler 0 FLAC  
30. 02/05/77 Apollo Theatre - Manchester, England A Soundboard/Audience Matrix Lineage (aud): cassette master>CoolEdit2>Wavelab (splits and TimeBase correction)>CoolEdit (mixing)>TLH (flac level 8) 0 FLAC  
31. 02/09/77 Gaumont Theatre - Southampton, UK A BBC 'In Concert' FM Broadcast 'Songs From The Wooden Grammophone' bootleg. Mis-dated Feb 19 1977 0 FLAC  
32. 03/03/77 Seattle Colliseum - Seattle, WA A Sony ECM 22P >Tandberg Model 11 Reel To Reel Two Channel Mono 0 FLAC  
33. 04/06/77 Anaheim Convention Center - Anaheim, CA A AKG 451E Microphones (CK-1 Cardioid Capsules) > Nakamichi 550 Cassette Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC ***************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ***************************************************************** FLAC  
34. 04/07/77 Anaheim Convention Center - Anaheim, CA A AKG 451E Microphones (CK-1 Cardioid Capsules) > Nakamichi 550 Cassette Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > Audacity > xACT 2.50 > FLAC FLAC  
35. 05/15/78 Sporthalle - Koln, Germany B+ Unknown Cassette Audience ***************************************************** Mono Recording, Converted Into 'Simulated' Stereo. FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Duplicate Entire Recording, Insert .40 Milliseconds Of Silence At The Start Of The Added Right Channel, Assigned Left And Right Channels And Convert To A Single Stereo Track, Re-Track On Similar Index Points) >FLAC (Level 8) + Tags Via xACT 2.47 Audacity, FLAC, & Tags By OldNeumanntapr ***************************************************** 0 FLAC  
36. 11/10/78 Aladdin Theatre - Las Vegas, NV A- Unknown Audience   0 FLAC  
37. 10/15/79 Civic Center - Providence, RI A- AKG D190E Cardioids >Sony TC-158SD Cassette (Dolby B Engaged)   0 FLAC  
38. 10/15/79 Civic Center - Providence, RI A 1st Gen Audience Reel @ 7.5 ips LINEAGE AUDIENCE ANALOG MASTER>1st GENERATION REEL @ 7 1/2 ips>AKAI GX-4000D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>AUDACITY FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 0 FLAC  
39. 10/21/79 Boston Garden - Boston, MA A AKG D190E Cardioids >Sony TC-158SD (Dolby B Engaged)   0 FLAC  
40. 11/16/79 Santa Monica Civic Auditorium - Santa Monica, CA A AKG 451E's (CK-1 Cardioid Capsules) >Nakamichi 550 Cassette Transfer: Mike Millard First Generation Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX7 > iZotope Ozone 8 > xACT 2.50 > FLAC ************************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ************************************************************************** FLAC  
41. 03/16/80 Congresgebouw - Den Haag, Netherlands A Soundboard Reel 'A Concert Of Kings' Bootleg 0 FLAC  
42. 03/16/80 Congresgebouw - Den Haag, Netherlands A Soundboard; Master Reels > Silvers > EAC > WAV > FLAC "Watchers On The Storm" [Flashback 01.93.0201] 0 FLAC  
43. 10/13/80 The Spectrum - Philadelphia, PA A- Soundboard 'Back In USA' bootleg Tracks 1 through 11 recorded live in Philadelphia, 1980. Tracks 12 - 14 recorded live in Philadelphia, 1987. 0 FLAC  
44. 10/26/80 Checkerdome - St. Louis, MO A FM Broadcast (King Biscuit Flower Hour) Bootleg: Caught in the Crossfire 0 FLAC  
45. 10/26/80 Checkerdome - St. Louis, MO A FM Broadcast 'Caught In The Crossfire' bootleg   0 FLAC  
46. 11/12/80 Los Angeles Sports Arena - Los Angeles, CA A FM Broadcast Genschman Records GENSCH 1009 CD, 1992 (Euro) Lineage: Original bootleg silver CD, ripped with Exact Audio Copy * Tracks 09-10 are from this show but were on Bootleg "Caught in the Crossfire" 0 FLAC  
47. 11/12/80 Los Angeles Sports Arena - Los Angeles, CA A FM Broadcast 'The Flute In The Rock' bootleg 0 FLAC  
48. 04/08/82 Congress Centrum Hamburg - Saal 1 Hamburg, Germany A+ FM Broadcast Bootleg: Live Hamburg CCH 8.4.1982 0 FLAC  
49. 10/20/82 L A Sports Arena - Los Angeles, CA A- Sennheiser MKE 2002 Binaurals >Sony TC-D5M w/Dolby B Copied by Flex Hamilton using a Sony D5 w Dolby > Onkyo 2060 w Dolby on a TDK SA-C90 cassette Transfer and mastering: Nakamichi CR7A (azimuth aligned, Bias @ 70usec and Dolby B) > Korg Mr-2000S @ 1 bit, 5.6 MHz DSDIFF AudioGate (24-96) > Har-Bal 3.7 & iZotope RX6 advanced > CD Wave > Aqua (16-44) > TLH Recorded by our friend who was sitting in the 6th row in front of the PA with the binaurals on and no helper. His head moves back and forth a little too much and he had to set levels by looking down. To his credit he was new at this and his recording came out quite nice. This is sourced from a copy of D's masters and that copy was paused between songs. Some of the applause is missing and the pre-recorded ending cuts off too fast otherwise this is the entire concert. Thanks to Rex for the tape and to ethiessen1 for the great cover art. For historical reference only and not intended for resale or any commercial use Enjoy! -M- (April 2020) 0 FLAC  
50. 09/08/84 Hammersmith Odeon - London, UK A FM Broadcast; 94.7 WXCD Chicago (King Biscuitt Flower Hour) (Partial) SETLIST 01 Intro 02 Hunting Girl 03 Under Wraps 04 Later That Same Evening 05 Living In The Past 06 Thick As A Brick 07 Aqualung 08 Locomotive Breath 09 Too Old To Rock'N'Roll/Thick As A Brick (reprise) 10 Outro 0 FLAC  
51. 09/26/84 Sporthalle - Cologne, Germany A- Unknown Audience   0 FLAC  
52. 10/28/84 Capitol Theater - Passaic, NJ A+ Soundboard Reel Recorded By MTV. Only 4 Or Five Songs Were Used For Broadcast 0 FLAC  
53. 03/16/85 International Congress Centrum - Berlin, Germany A FM Broadcast A Concert To Celebrate J.S.Bach's 300th Birthday. Only Show Performed By Jethro Tull iIn 1985. 0 FLAC  
54. 06/28/86 Heartbeat '86 Garden Party - Milton Keynes, England A FM Broadcast ************************************************************ FLAC Tags Via xACT 2.50 By OldNeumanntapr ************************************************************ FLAC  
55. 11/25/87 The Tower Theatre - Upper Darby, PA B+ FM Broadcast Sounds Like A Couple Of Generations From A Cass Master? 0 FLAC  
56. 12/13/87 Civic Auditorium - San Francisco, CA A- FM Broadcast   0 FLAC  
57. 06/27/88 Pier 84 - New York, NY A- Unknown 1st Generation Audience ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  
58. 07/16/88 VFB Stadion (Waldstadion) - Gießen, Germany A FM Broadcast   0 FLAC  
59. 09/01/90 Wembley Stadium - London, England A Digital Soundboard (DOES NOT INCLDE ENCORE TRACKS) 60 min Opened For Fleetwood Mac. Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, Tayio-Uden CD Master >WAV Via xACT 2.37 >Audacity (Combine Tracks, De-Amplify, Re-Track, Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37 Trade DAT Transferred By OldNeumanntapr 1 FLAC  
60. 09/01/90 Wembley Stadium - London, England A+ Digital Soundboard; Aiwa HD-X1 Complete (Including Encores) 0 FLAC  
61. 11/11/91 Paramount Theater At Madison Square Garden - New York, NY A Nakamichi CM 700s >Sony TC-D5 (TapeTyrant Master Series Volume 88) Transfer: Master Cassettes > Nakamichi DR-01 (azimuth adjusted) > Sound Devices USBPre2 > Audacity > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  
62. 11/12/91 War Memorial - Syracuse, NY A Beyer M-201's >Marantz PMD-430 Cass Master > Cass 3 >WAV >FLAC Maxell XLII Cass 3 Transferred: Sony TC-D5M >Tascam DR-100mkII (16bit/44.1kHz) WAV >Audacity (Track Splits, Level Balancing, Minor Edits [Tape Flip, Mic Bumps]) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 3rd Gen Cassette From The Collection Of OldNeumanntapr Recorded By: Unknown Transferred, FLAC'd And Tagged By OldNeumanntapr FLAC  
63. 11/14/91 Nassau Coliseum - Uniondale, NY A- Unknown Audience   0 FLAC  
64. 10/14/92 Warfield Theater - San Francisco, CA A Schoeps MK4s >RBox >Panasonic SV250 (16bit/48kHz) (Missing Last Three Songs!) Recorded On The Floor. Daspyknows 'Group Effort'. Transferred by Nick C using Sony TCD-D7 >S/PDIF >Edirol R-44 Processed Using Soundforge 10b, Resample To 16bit/44.1kHz And Split Tracks TLH To Convert To FLAC 0 FLAC  
65. 04/26/93 Lone Star Roadhouse - New York, NY A FM Broadcast; DAT >Bootleg CD >CDR >FLAC Bootleg CD Copied: Marantz CD Player >S/PDIF >HHb CDR 800 PRO, CDR >FLAC (Level 8) Via xACT 2.36 Bootleg CD Transferred/ FLAC’d By OldNeumanntapr Afternoon Radio Concert To Celebrate Jethro Tull's 25th Anniversary. 1 FLAC  
66. 03/18/94 Warnors Theater - Fresno, CA A FOB: Nyquist Omnis >Sony TCD-D7 DAT FOB; 8th Row, Right, Digital Audience Master, (Missing: Second Half Of ‘Thick As A Brick’ & All Of ‘Beggar's Farm’ & ‘Sossity-You're A Woman’, Because Of An Unplugged Microphone Cable.) Transfer: Otari DTR-8S >S/PDIF >Korg MR2000-S @ 16bit/48khz) Mastering Har-Bal 3.0 & iZotope RX6 advanced Flying -M- (Feb. 2018) WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.44 Recorded, Audacity, FLAC, & Tags By OldNeumanntapr. Transfer & Har-Bal / iZotope Post Production By Flying M. 0 FLAC  
67. 03/28/94 Orpheum Theatre - Minneapolis, MN A+ Front Row, Center: MarcSound Omnis >Sony TCD-D7 DAT Master Transferred: Sony 60 ES >S/PDIF >Tascam DA-40 (Tom) 1994 DAT I >WAV Transferred: Sony TCD-D8 >Tascam DR-100mkII Via Analog i/o > WAV >iZotope RX6 Advanced & Har-Bal 3.0 > Audacity (Track Splits) >FLAC (Level 8) + Tags Via xACT 2.44 Recorded By Tom Jorgensen 1st DAT Clone Transferred (Nov 2013), Audacity, FLAC, & Tags (Feb 2018), By OldNeumanntapr iZotope RX6 Advanced & Har-Bal 3.0 Post Production By Flying -M- (Feb 2018) 0 FLAC  
68. 11/22/95 Riverside Theater - Milwaukee, WI A FOB: Sonic Studios DSM-6Ps >Sony WM-D6C w/Dolby C Engaged) Maxcell XLIIS 100s Lineage: master tapes>Harmon Kardon TD-302 (Dolby C on)>Zoom H2 @16/44.1> SDHC memory card>PC>edited and tracked with Audacity>Checksums and flac level 8 with traderslittlehelper. Tagged with Mp3tag. Field recording and all mastering by arfarf, December 6, 2013. 0 FLAC  
69. 11/24/95 Universal Amphitheater - Los Angeles, CA A Unknown Digital Audience   0 FLAC  
70. 06/15/99 Ohne Filter - Baden Baden, Germany A TV Broadcast / AUD Fill 'Ohne Filter' Bootleg 0 FLAC  
71. 10/03/99 Concord Pavilion - Concord, CA A Schoeps CMC-4 w/MK-4s->Sonosax SX-M2->Sony M1 Trade DAT (1st Clone) Transferred: Sony TCD-D8 >S/PDIF coax >Tascam DR-100mkII, CD Masters >FLAC (Level 8) Via xACT 2.25 (Ian Gets Pissed At Someone With A Laser Pointer) 1 FLAC  
72. 10/04/99 Cal Poly Univ. Performing Arts Center - San Luis Obispo, CA A+ Neumann AK-40's (x/y)->LC3->KM-100's->Beyer MV-100->Sony TCD-D7 (Recorded By OldNeumanntapr) Digital Audience Master, 7th Row Center [DAT Master Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO; CD Masters >FLAC (Level 8) Via xACT 2.25 1 FLAC  
73. 10/09/99 House Of Blues - Las Vegas, NV A+ Digital Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.44 2 FLAC  
74. 09/02/00 Konocti Field Amphitheatre - Kelseyville, CA A- Neumann KM140s (A Little 'Shrill' Sounding, Without Much Bass.) ********************************************************* (1/2 Tagged. 11 Tracks In Disc 1 But Only 10 Song Titles) ********************************************************* 0 FLAC  
75. 11/03/04 Overture Center - Madison, WI A Neumann KM-140's >Beyer MV-100 >Sony SBM-1 >Sony TCD-D100 (16/48) ORTF In Mesh Cap 8th Row DFC (Sit Down Show Except For Ovation At End Of Each Set) [Transfer: DAT >Protools (Tracking) >xACT (SBEFIX + FLAC Encode) >FLAC] 2 FLAC  
76. 11/26/05 Mendal Center - Benton Harbor, MI A Sonic Studios DSM-6Ps >Sony DAT   0 FLAC  
77. 06/14/11 Mountain Winery - Saratoga, CA A Schoeps MK4s >NBox >Tascam DR-2D (24bit/48khz) Recorded by Daspyknows, Seated In Section 1, Row 12, Seat 8. Directly Opposite Right Stacks. Processed Using Soundforge 10b, Down sample To 16bit/44.1khz TLH To Convert To FLAC Files Sent Privately By Daspy 0 FLAC  
78. 06/02/18 Greek Theater - Berkeley, CA A Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48khz) Recorded by Daspyknows Section C Row 6 Seat 3 Processed Using Soundforge 11, Down sample To 16bit/44.1khz WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.47 By OldNeumanntapr 0 FLAC  

Martin Barre  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/19/17 Bogie's Bar - Westlake Village, CA A- CA-11 cardioids > CA Battery Box > Roland R-05 @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Location: 6 rows back, left side Recorded by: Steven Hanna Mastered by: Dennis Orr 0 FLAC  

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