|
Jethro Tull
|
http://www.j-tull.com
|
| |
Date |
Venue - City, State |
Sound Quality | Source | Notes | Media |
|
| 1. |
01/09/69 |
Konserthaus - Stockholm,
Sweden |
A | Soundboard | [Early Show]
Trade CD >FLAC (Level 8) Via xACT 2.44 |
1 FLAC
|
|
| 2. |
01/09/69 |
Konserthaus - Stockholm,
Sweden |
A | Soundboard Reel | Lineage: MQ-021/022 Boot 2CD-R > WAV > FLAC
11 Tracks. Only One Disc Worth Of FLAC |
0 FLAC
|
|
| 3. |
01/09/69 |
Konserthaus - Stockholm,
Sweden |
A | Soundboard 'Flute Cake' bootleg | |
0 FLAC
|
|
| 4. |
04/19/70 |
Long Beach Arena - Long Beach,
CA |
B+ | Sennheiser 805 Shotgun Mic >Uher 4000 1/2 track Reel | Flying -M- Remaster
total running time [83:22]
Recorded from the Orchestra, Section A, Row 20, Seats # 6 & 7 - The ticket stubs were in the boxes
Source:
1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" 3M Scotch tapes
My Copy (1980's):
1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77
Transfer to DAT (1996):
Revox B-77 > Teac AN-60 (Dolby) > Phase Linear 1000 (auto-correlator) > Sony DTC-690 @ LP
Transfer to Hard Drive (2012):
Otari DTR-8S > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor
Transfer notes:
The master tapes had to be flipped every 22-23 minutes.
Reduced bandwidth from DAT tape at Long Play speed (32 KHz sample rate has a max. freq. of 16 KHz).
Many small dropouts and loud claps were meticulously repaired or removed with Audacity wave editor.
I left the clapping in the final minutes of applause and the post show comments as it was on the tape.
Now you can enjoy this cleaned up presentation of my first generation R2R copy of the masters.
For historical reference only and not intended for resale or any commercial use.
enjoy
-M- (August 2013)
FLYING M PRODUCTIONS |
0 FLAC
|
|
| 5. |
05/03/70 |
Devonshire Downs,San Fernando Valley State College - Northridge,
CA |
B+ | Audience Master > Reel > Reel > M-Audio Transit >Cool Edit > CD Wave Editor > FLAC | Lots Of Crowd Noise But Clear Sound |
0 FLAC
|
|
| 6. |
08/16/70 |
Aragon Ballroom - Chicago,
IL |
A- | WXRT Re-Broadcast, August 1977, Reel | |
0 FLAC
|
|
| 7. |
08/30/70 |
Isle of Wight Festival, East Afton Farm - Isle of Wight,
UK |
A | Soundboard Reel | |
0 FLAC
|
|
| 8. |
11/04/70 |
Carnegie Hall - New York,
NY |
A+ | Soundboard Reel | Trade CD >FLAC (Level 8) Via xACT 2.44 |
1 FLAC
|
|
| 9. |
11/05/70 |
Rhode Island Auditorium - Providence,
RI |
A- | Unknown Audience | |
0 FLAC
|
|
| 10. |
04/27/71 |
Capitol Theatre - Late Show - Port Chester,
NY |
A- | Sony Dynamic Microphones >Sony TC-124 w/Norelco Cassettes | Recorded by Ken & Judy Lee.
Microphones were set up in the balcony with a
10-20 foot spread.
-Original tape was baked in "Susie Q", shell replaced and transferred on a
Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.
-Cleanup performed by Peter G with Soundforge. |
0 FLAC
|
|
| 11. |
06/19/71 |
Anaheim Convention Center - Anaheim,
CA |
A- | 1 Sennheiser 805 Shotgun Microphone >Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips On 5" Diameter 3M Scotch Tapes | My Copy (early 1980's):
1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77
Transfer to DAT (1996):
Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP
Transfer to Hard Drive (2012):
Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor
Additional clean up and EQ (2016)
iZotope RX4 advanced > Har-Bal 3.0 > CD Wav > TLH
Transfer notes:
The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over).
Spliced so that you may not even notice where.
Reduced bandwidth from DAT tape at Long Play speed (32 KHz sample rate has a max. freq. of 16 KHz).
This tape was very shrill and the original attempt to combat this was by pushing the 200-400Hz band up by an amazing 18dB.
Helped to add something down there but it went from shrill to hollow sounding.
This time Har-Bal was used to balance the frequency spectrum adding some warmth and reducing the brittleness in the high end.
There was a problem in the recording equipment creating intermittent thumping sounds.
Maybe a poor connection made these noises but they were in the low frequency band so the eqaulization made them louder.
Hundreds of these noises were attenuated just during the Midnight Rambler Jam > Locomotive Breath transition.
Additionally hundreds of small tape dropouts and loud claps were individually masqued using an assortment of iZotope tools.
Quite often just copy and paste from the opposite channel for the dropouts (it is mono).
Much better without those technical issues distracting from an inspired performance.
Thanks go out to Dub and Ken for this nice recording.
For historical reference only and not intended for resale or any commercial use.
enjoy
-M- (December 2012) (Rev A - updated info page and artwork: March 2013 - iZotope RX4A repairs and Har-Bal EQ: March 2016)
FLYING M PRODUCTIONS
Fan Recordings for Collectors
Trade Freely But Please Do Not Sell
|
0 FLAC
|
|
| 12. |
06/20/71 |
Community Theater - Berkeley,
CA |
A- | Audience Cassette | 01. Aqualung 7:45
02. Cross-Eyed Mary (w. drum solo) 8:50
03. Nothing Is Easy 8:45
04. Wind-Up 15:06
05. Locomotive Breath 1:53 (piano & guitar into only
[42:19 TT]
Trade CD >FLAC (Level 8) Via xACT 2.44 |
1 FLAC
|
|
| 13. |
01/27/72 |
Hannover Kuppelsaal - Hannover,
Germany |
A- | Soundboard* | ('Blues For God' Bootleg CD.)
Circulated As A Soundboard But Cound Be Excellent FOB Audience |
0 FLAC
|
|
| 14. |
03/16/72 |
Victoria Hall - Stoke,
England |
A- | Unknown Audience; 'Name That Tune', 2007 TooleMan ReMaster | FLAC >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) Plus Tags Via xACT 2.47 By OldNeumanntapr |
0 FLAC
|
|
| 15. |
06/04/72 |
Maple Leaf Gardens - Toronto,
ON |
A | Unknown Audience | 2008 ToolMan ReMaster.
'Thick As A Brick' Through 'Aqualung' |
0 FLAC
|
|
| 16. |
07/16/73 |
Tarrant County Convention Center - Fort Worth,
TX |
B+ | Sony ECM 19B Omnis >Realistic SCT-7 Stereo Cassette Recorder (Maxell UD C90s) | Playback Deck: Tascam 130 >
Nikko 32 Band EQ >
Akai DR16 Digital Hard Disk Recorder >
HHB CDR-800 Compact Disc Recorder >
CDR > WAV >CD Wave Editor > SHN
SHN >WAV >FLAC Via xACT 2.47 |
0 FLAC
|
|
| 17. |
08/30/73 |
Civic Centre - Providence,
RI |
B+ | Unknown 1st Gen Audience / Bootleg CD Silvers | |
0 FLAC
|
|
| 18. |
11/17/74 |
Rainbow Theatre - London,
UK |
B+ | Audience | remaster notes:
applied fadein to opening applause and fadeout to last track ending applause.
increased pitch by 140 cents for all tracks
balanced levels, (left side was too high, right too low.)
removed short gaps (from the source recording) after cross eyed mary, before piano solo, after flute solo,
before doggie in the window, before bungle in the jungle, before my god, after aqualung and after backdoor angels
and a brief overlap before ian's intoduction of the string section
reduced several loud claps between songs individually by about 3 db's
in several tracks, especially after Aqualung
retracked the beginning of cross eyed mary, end of thick as a brick,
end of a passion play, end of skating away, and end of war child
spliced in applause at end of sea lion
monoized 1st 3:43 of back door angels due to very low/hissy left channel sound
artwork is included from the original post and can be used here
although this one has track 13 opening disc 2 (instead of track 14)
because it is an introduction of players accompanying in the following track (a string quartet)
this recording isn't completely seamless, but more so than it was before.
according to the ministry of information website, this show was on Martin's birthday. |
0 FLAC
|
|
| 19. |
02/09/75 |
The Forum - Inglewood,
CA |
A- | Shure Microphones >Sony TC-152SD | (Recorded By Mike Millard, 3rd Row Center On The Floor)
Final Concert Recording With The Sony 152 Before Purchace Of the Nakamichi 550 To Record Led Zeppelin The Following Month. |
0 FLAC
|
|
| 20. |
03/08/75 |
Civic Center - Providence,
RI |
A | Sony ECM 99 Stereo Cardioid >Sony TC-152SD | Recorded By Dan Lampinski, SEC 3, Row H, Seat #7 |
0 FLAC
|
|
| 21. |
04/??/75 |
Maison Rogue - Monte Carlo,
Monte Carlo |
A | BBC FM Broadcast 'Minstels In The Red House' bootleg | |
0 FLAC
|
|
| 22. |
07/25/75 |
Seattle Center Coliseum - Seattle,
WA |
A | Sony ECM-22P > Tandberg Model 11 Monaural Reel | JEMS Master Recording |
1 FLAC
|
|
| 23. |
07/21/76 |
Boston Garden - Boston,
MA |
A | Sony ECM 99 Stereo Cardioid >Sony TC-152SD | Recorded By Dan Lampinski |
0 FLAC
|
|
| 24. |
07/31/76 |
Tampa Stadium - Tampa,
FL |
A | Pro Shot Video; 3/4" Beta U-Matic Video Tape / Soundboard Audio | 'Tullavision' |
1 DVD
|
|
| 25. |
08/15/76 |
L.A. Coliseum - Los Angeles,
CA |
A- | Soundboard | Minor Hiss |
0 FLAC
|
|
| 26. |
08/21/76 |
Seattle Center Coliseum - Seattle,
WA |
B+ | Sony ECM-22P >Sony TC-55 | JEMS Transfer: master cassettes >
Nakamichi 670 azimuth-adjusted playback >
Wavelab 96/24 .wav > iZotope RX mastering >
iZotope MBIT+ convert to 16/44.1 >
Soundforge (wav, tracking and splicing) >
FLAC (sb's aligned) |
0 FLAC
|
|
| 27. |
01/14/77 |
Pasadena Civic Auditorium - Pasadena,
CA |
A | FOB Audience | Possibly Recorded By Mike Millard (AKG Microphones >Nakamichi 550) |
0 FLAC
|
|
| 28. |
01/16/77 |
Dorothy Chandler Pavilion - Los Angeles,
CA |
A | FOB Audience | Possibly Recorded By Mike Millard (AKG Microphones >Nakamichi 550) |
0 FLAC
|
|
| 29. |
01/19/77 |
Masonic Auditorium - Detroit,
MI |
A | TEAC M100 Microphone >Sony TC-153SD (Mono. Dolby B Engaged) | Recorded By JEMS, Transferred By Mike Ziegler |
0 FLAC
|
|
| 30. |
02/05/77 |
Apollo Theatre - Manchester,
England |
A | Soundboard/Audience Matrix | Lineage (aud): cassette master>CoolEdit2>Wavelab (splits and TimeBase correction)>CoolEdit (mixing)>TLH (flac level 8) |
0 FLAC
|
|
| 31. |
02/09/77 |
Gaumont Theatre - Southampton,
UK |
A | BBC 'In Concert' FM Broadcast | 'Songs From The Wooden Grammophone' bootleg. Mis-dated Feb 19 1977 |
0 FLAC
|
|
| 32. |
03/03/77 |
Seattle Colliseum - Seattle,
WA |
A | Sony ECM 22P >Tandberg Model 11 Reel To Reel | Two Channel Mono |
0 FLAC
|
|
| 33. |
04/06/77 |
Anaheim Convention Center - Anaheim,
CA |
A | AKG 451E Microphones (CK-1 Cardioid Capsules) > Nakamichi 550 Cassette | Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC
*****************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
***************************************************************** |
FLAC
|
|
| 34. |
04/07/77 |
Anaheim Convention Center - Anaheim,
CA |
A | AKG 451E Microphones (CK-1 Cardioid Capsules) > Nakamichi 550 Cassette | Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > Audacity > xACT 2.50 > FLAC |
FLAC
|
|
| 35. |
05/15/78 |
Sporthalle - Koln,
Germany |
B+ | Unknown Cassette Audience | *****************************************************
Mono Recording, Converted Into 'Simulated' Stereo.
FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Duplicate Entire Recording, Insert .40 Milliseconds Of Silence At The Start Of The Added Right Channel, Assigned Left And Right Channels And Convert To A Single Stereo Track, Re-Track On Similar Index Points) >FLAC (Level 8) + Tags Via xACT 2.47
Audacity, FLAC, & Tags By OldNeumanntapr
***************************************************** |
0 FLAC
|
|
| 36. |
11/10/78 |
Aladdin Theatre - Las Vegas,
NV |
A- | Unknown Audience | |
0 FLAC
|
|
| 37. |
10/15/79 |
Civic Center - Providence,
RI |
A- | AKG D190E Cardioids >Sony TC-158SD Cassette (Dolby B Engaged) | |
0 FLAC
|
|
| 38. |
10/15/79 |
Civic Center - Providence,
RI |
A | 1st Gen Audience Reel @ 7.5 ips | LINEAGE AUDIENCE ANALOG MASTER>1st GENERATION REEL @ 7 1/2 ips>AKAI GX-4000D REEL TO REEL>
CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>AUDACITY FOR KRW TRACK MARKS
VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) |
0 FLAC
|
|
| 39. |
10/21/79 |
Boston Garden - Boston,
MA |
A | AKG D190E Cardioids >Sony TC-158SD (Dolby B Engaged) | |
0 FLAC
|
|
| 40. |
11/16/79 |
Santa Monica Civic Auditorium - Santa Monica,
CA |
A | AKG 451E's (CK-1 Cardioid Capsules) >Nakamichi 550 Cassette | Transfer: Mike Millard First Generation Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX7 > iZotope Ozone 8 > xACT 2.50 > FLAC
**************************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
**************************************************************************
|
FLAC
|
|
| 41. |
03/16/80 |
Congresgebouw - Den Haag,
Netherlands |
A | Soundboard Reel | 'A Concert Of Kings' Bootleg |
0 FLAC
|
|
| 42. |
03/16/80 |
Congresgebouw - Den Haag,
Netherlands |
A | Soundboard; Master Reels > Silvers > EAC > WAV > FLAC | "Watchers On The Storm" [Flashback 01.93.0201] |
0 FLAC
|
|
| 43. |
10/13/80 |
The Spectrum - Philadelphia,
PA |
A- | Soundboard 'Back In USA' bootleg | Tracks 1 through 11 recorded live in Philadelphia, 1980.
Tracks 12 - 14 recorded live in Philadelphia, 1987. |
0 FLAC
|
|
| 44. |
10/26/80 |
Checkerdome - St. Louis,
MO |
A | FM Broadcast (King Biscuit Flower Hour) | Bootleg: Caught in the Crossfire |
0 FLAC
|
|
| 45. |
10/26/80 |
Checkerdome - St. Louis,
MO |
A | FM Broadcast 'Caught In The Crossfire' bootleg | |
0 FLAC
|
|
| 46. |
11/12/80 |
Los Angeles Sports Arena - Los Angeles,
CA |
A | FM Broadcast | Genschman Records GENSCH 1009 CD, 1992 (Euro)
Lineage: Original bootleg silver CD, ripped with Exact Audio Copy
* Tracks 09-10 are from this show but were on Bootleg "Caught in the Crossfire" |
0 FLAC
|
|
| 47. |
11/12/80 |
Los Angeles Sports Arena - Los Angeles,
CA |
A | FM Broadcast | 'The Flute In The Rock' bootleg |
0 FLAC
|
|
| 48. |
04/08/82 |
Congress Centrum Hamburg - Saal 1 Hamburg,
Germany |
A+ | FM Broadcast | Bootleg: Live Hamburg CCH 8.4.1982 |
0 FLAC
|
|
| 49. |
10/20/82 |
L A Sports Arena - Los Angeles,
CA |
A- | Sennheiser MKE 2002 Binaurals >Sony TC-D5M w/Dolby B | Copied by Flex Hamilton using a Sony D5 w Dolby > Onkyo 2060 w Dolby on a TDK SA-C90 cassette
Transfer and mastering:
Nakamichi CR7A (azimuth aligned, Bias @ 70usec and Dolby B) > Korg Mr-2000S @ 1 bit, 5.6 MHz DSDIFF
AudioGate (24-96) > Har-Bal 3.7 & iZotope RX6 advanced > CD Wave > Aqua (16-44) > TLH
Recorded by our friend who was sitting in the 6th row in front of the PA with the binaurals on and no helper.
His head moves back and forth a little too much and he had to set levels by looking down.
To his credit he was new at this and his recording came out quite nice.
This is sourced from a copy of D's masters and that copy was paused between songs.
Some of the applause is missing and the pre-recorded ending cuts off too fast otherwise this is the entire concert.
Thanks to Rex for the tape and to ethiessen1 for the great cover art.
For historical reference only and not intended for resale or any commercial use
Enjoy!
-M- (April 2020) |
0 FLAC
|
|
| 50. |
09/08/84 |
Hammersmith Odeon - London,
UK |
A | FM Broadcast; 94.7 WXCD Chicago (King Biscuitt Flower Hour) | (Partial)
SETLIST
01 Intro
02 Hunting Girl
03 Under Wraps
04 Later That Same Evening
05 Living In The Past
06 Thick As A Brick
07 Aqualung
08 Locomotive Breath
09 Too Old To Rock'N'Roll/Thick As A Brick (reprise)
10 Outro
|
0 FLAC
|
|
| 51. |
09/26/84 |
Sporthalle - Cologne,
Germany |
A- | Unknown Audience | |
0 FLAC
|
|
| 52. |
10/28/84 |
Capitol Theater - Passaic,
NJ |
A+ | Soundboard Reel | Recorded By MTV. Only 4 Or Five Songs Were Used For Broadcast |
0 FLAC
|
|
| 53. |
03/16/85 |
International Congress Centrum - Berlin,
Germany |
A | FM Broadcast | A Concert To Celebrate J.S.Bach's 300th Birthday. Only Show Performed By Jethro Tull iIn 1985. |
0 FLAC
|
|
| 54. |
06/28/86 |
Heartbeat '86 Garden Party - Milton Keynes,
England |
A | FM Broadcast | ************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
************************************************************ |
FLAC
|
|
| 55. |
11/25/87 |
The Tower Theatre - Upper Darby,
PA |
B+ | FM Broadcast | Sounds Like A Couple Of Generations From A Cass Master? |
0 FLAC
|
|
| 56. |
12/13/87 |
Civic Auditorium - San Francisco,
CA |
A- | FM Broadcast | |
0 FLAC
|
|
| 57. |
06/27/88 |
Pier 84 - New York,
NY |
A- | Unknown 1st Generation Audience | ************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************
|
FLAC
|
|
| 58. |
07/16/88 |
VFB Stadion (Waldstadion) - Gießen,
Germany |
A | FM Broadcast | |
0 FLAC
|
|
| 59. |
09/01/90 |
Wembley Stadium - London,
England |
A | Digital Soundboard | (DOES NOT INCLDE ENCORE TRACKS)
60 min
Opened For Fleetwood Mac.
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
Tayio-Uden CD Master >WAV Via xACT 2.37 >Audacity (Combine Tracks, De-Amplify, Re-Track, Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37
Trade DAT Transferred By OldNeumanntapr |
1 FLAC
|
|
| 60. |
09/01/90 |
Wembley Stadium - London,
England |
A+ | Digital Soundboard; Aiwa HD-X1 | Complete (Including Encores) |
0 FLAC
|
|
| 61. |
11/11/91 |
Paramount Theater At Madison Square Garden - New York,
NY |
A | Nakamichi CM 700s >Sony TC-D5 | (TapeTyrant Master Series Volume 88)
Transfer: Master Cassettes > Nakamichi DR-01 (azimuth adjusted) > Sound Devices USBPre2 > Audacity > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC
************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************ |
FLAC
|
|
| 62. |
11/12/91 |
War Memorial - Syracuse,
NY |
A | Beyer M-201's >Marantz PMD-430 Cass Master > Cass 3 >WAV >FLAC | Maxell XLII Cass 3 Transferred: Sony TC-D5M >Tascam DR-100mkII (16bit/44.1kHz)
WAV >Audacity (Track Splits, Level Balancing, Minor Edits [Tape Flip, Mic Bumps]) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr
3rd Gen Cassette From The Collection Of OldNeumanntapr
Recorded By: Unknown
Transferred, FLAC'd And Tagged By OldNeumanntapr |
FLAC
|
|
| 63. |
11/14/91 |
Nassau Coliseum - Uniondale,
NY |
A- | Unknown Audience | |
0 FLAC
|
|
| 64. |
10/14/92 |
Warfield Theater - San Francisco,
CA |
A | Schoeps MK4s >RBox >Panasonic SV250 (16bit/48kHz) | (Missing Last Three Songs!)
Recorded On The Floor. Daspyknows 'Group Effort'.
Transferred by Nick C using Sony TCD-D7 >S/PDIF >Edirol R-44
Processed Using Soundforge 10b, Resample To 16bit/44.1kHz And Split Tracks
TLH To Convert To FLAC |
0 FLAC
|
|
| 65. |
04/26/93 |
Lone Star Roadhouse - New York,
NY |
A | FM Broadcast; DAT >Bootleg CD >CDR >FLAC | Bootleg CD Copied: Marantz CD Player >S/PDIF >HHb CDR 800 PRO,
CDR >FLAC (Level 8) Via xACT 2.36
Bootleg CD Transferred/ FLAC’d By OldNeumanntapr
Afternoon Radio Concert To Celebrate Jethro Tull's 25th Anniversary. |
1 FLAC
|
|
| 66. |
03/18/94 |
Warnors Theater - Fresno,
CA |
A | FOB: Nyquist Omnis >Sony TCD-D7 DAT | FOB; 8th Row, Right, Digital Audience Master, (Missing: Second Half Of ‘Thick As A Brick’ & All Of ‘Beggar's Farm’ & ‘Sossity-You're A Woman’, Because Of An Unplugged Microphone Cable.)
Transfer:
Otari DTR-8S >S/PDIF >Korg MR2000-S @ 16bit/48khz)
Mastering
Har-Bal 3.0 & iZotope RX6 advanced
Flying -M- (Feb. 2018)
WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.44
Recorded, Audacity, FLAC, & Tags By OldNeumanntapr.
Transfer & Har-Bal / iZotope Post Production By Flying M.
|
0 FLAC
|
|
| 67. |
03/28/94 |
Orpheum Theatre - Minneapolis,
MN |
A+ | Front Row, Center: MarcSound Omnis >Sony TCD-D7 | DAT Master Transferred: Sony 60 ES >S/PDIF >Tascam DA-40 (Tom) 1994
DAT I >WAV Transferred: Sony TCD-D8 >Tascam DR-100mkII Via Analog i/o >
WAV >iZotope RX6 Advanced & Har-Bal 3.0 >
Audacity (Track Splits) >FLAC (Level 8) + Tags Via xACT 2.44
Recorded By Tom Jorgensen
1st DAT Clone Transferred (Nov 2013), Audacity, FLAC, & Tags (Feb 2018), By OldNeumanntapr
iZotope RX6 Advanced & Har-Bal 3.0 Post Production By Flying -M- (Feb 2018) |
0 FLAC
|
|
| 68. |
11/22/95 |
Riverside Theater - Milwaukee,
WI |
A | FOB: Sonic Studios DSM-6Ps >Sony WM-D6C w/Dolby C Engaged) Maxcell XLIIS 100s | Lineage: master tapes>Harmon Kardon TD-302 (Dolby C on)>Zoom H2 @16/44.1>
SDHC memory card>PC>edited and tracked with Audacity>Checksums and flac level 8
with traderslittlehelper. Tagged with Mp3tag.
Field recording and all mastering by arfarf, December 6, 2013. |
0 FLAC
|
|
| 69. |
11/24/95 |
Universal Amphitheater - Los Angeles,
CA |
A | Unknown Digital Audience | |
0 FLAC
|
|
| 70. |
06/15/99 |
Ohne Filter - Baden Baden,
Germany |
A | TV Broadcast / AUD Fill | 'Ohne Filter' Bootleg |
0 FLAC
|
|
| 71. |
10/03/99 |
Concord Pavilion - Concord,
CA |
A | Schoeps CMC-4 w/MK-4s->Sonosax SX-M2->Sony M1 | Trade DAT (1st Clone) Transferred: Sony TCD-D8 >S/PDIF coax >Tascam DR-100mkII,
CD Masters >FLAC (Level 8) Via xACT 2.25
(Ian Gets Pissed At Someone With A Laser Pointer) |
1 FLAC
|
|
| 72. |
10/04/99 |
Cal Poly Univ. Performing Arts Center - San Luis Obispo,
CA |
A+ | Neumann AK-40's (x/y)->LC3->KM-100's->Beyer MV-100->Sony TCD-D7 | (Recorded By OldNeumanntapr) Digital Audience Master, 7th Row Center
[DAT Master Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO;
CD Masters >FLAC (Level 8) Via xACT 2.25 |
1 FLAC
|
|
| 73. |
10/09/99 |
House Of Blues - Las Vegas,
NV |
A+ | Digital Soundboard | Trade CDs >FLAC (Level 8) Via xACT 2.44 |
2 FLAC
|
|
| 74. |
09/02/00 |
Konocti Field Amphitheatre - Kelseyville,
CA |
A- | Neumann KM140s | (A Little 'Shrill' Sounding, Without Much Bass.)
*********************************************************
(1/2 Tagged. 11 Tracks In Disc 1 But Only 10 Song Titles)
*********************************************************
|
0 FLAC
|
|
| 75. |
11/03/04 |
Overture Center - Madison,
WI |
A | Neumann KM-140's >Beyer MV-100 >Sony SBM-1 >Sony TCD-D100 (16/48) | ORTF In Mesh Cap 8th Row DFC (Sit Down Show Except For Ovation At End Of Each Set)
[Transfer: DAT >Protools (Tracking) >xACT (SBEFIX + FLAC Encode) >FLAC] |
2 FLAC
|
|
| 76. |
11/26/05 |
Mendal Center - Benton Harbor,
MI |
A | Sonic Studios DSM-6Ps >Sony DAT | |
0 FLAC
|
|
| 77. |
06/14/11 |
Mountain Winery - Saratoga,
CA |
A | Schoeps MK4s >NBox >Tascam DR-2D (24bit/48khz) | Recorded by Daspyknows, Seated In Section 1, Row 12, Seat 8. Directly Opposite Right Stacks.
Processed Using Soundforge 10b, Down sample To 16bit/44.1khz
TLH To Convert To FLAC
Files Sent Privately By Daspy |
0 FLAC
|
|
| 78. |
06/02/18 |
Greek Theater - Berkeley,
CA |
A | Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48khz) | Recorded by Daspyknows
Section C Row 6 Seat 3
Processed Using Soundforge 11, Down sample To 16bit/44.1khz
WAV Files Sent Privately By Daspy.
WAV >FLAC (Level 8) Via xACT 2.47 By OldNeumanntapr |
0 FLAC
|
|